Ray Colosky
Ray Colosky B. 1965 New Brunswick, NJ. Lives and works in Los Angeles, CA.
Ray Colosky is an interdisciplinary artist working in both established and unorthodox materials and processes. Ranging from traditional oil painting to frozen installations, this divergent practice is informed by history, science, and a deep curiosity about nature and how it’s elements interact.
Colosky received a BFA in Ceramics from the Kansas City Art Institute in 1987. He has been awarded grants from the Warhol Foundation for the Arts, The Fleishacker Foundation, The Zellerbach Family Foundation, and the KALA Art Institute.
Colosky has shown in many galleries and museums, including: The Jewish Museum, San Francisco, CA The Museum of Craft and Folk Art, San Francisco, CA The Berkeley Art Museum, Berkeley, CA Deitch Projects, Los Angeles, CA The Hole, Los Angeles, CA and Kavi Gupta, Chicago, IL He has public art projects placed in: Laguna Beach, CA Oakland, CA San Francisco, CA Livermore, CA San Bruno, CA and
Santa Rosa, CA
His work is in several collection including The Berkeley Art Museum, Facebook. Inc, Sonoma State University, The Battery, Alameda Municipal Art Collection, and Ellie Mae Financial Services
Dianne Williams
Diane Williams is a Bay Area abstract painter whose work reflects an East–West sensibility influenced by Chinese bird-and-flower painting and Japanese ink traditions. After studying in Hangzhou, China, she developed a layered process combining cold wax, oil, rice paper, and hand-cut stencil techniques. Her practice explores nature, impermanence, and the poetics of excavation through sanding, burial, and mark-making. Williams has exhibited widely and teaches workshops nationally, sharing her innovative materials-based approach to abstraction.
Tubi Ho
Tubi Ho (b. 1982 Vietnamese-American) is an abstract expressionist based in Marin County, California. A self-taught artist, she works primarily with acrylics, pastels, and dyes on raw canvas. Her work explores the emotional complexity of the human experience through bold, intuitive gestures and layered compositions. Her brushwork brings a sense of presence and rhythm to each piece. Ho’s creative foundation began when she studied Chinese calligraphy as a child. These early lessons were rigorous, requiring hours of disciplined practice to achieve controlled, aesthetically balanced strokes – skills that continue to inform her abstract work today. As a first-generation Vietnamese-American, Ho grew up in a home where emotions were rarely discussed. This emotional suppression led to inner conflict that would later fuel her creative exploration. Seeking freedom of expression, she turned to visual art, particularly abstract expressionism. Soon after diving into this art form, she discovered deep parallels between abstract painting and Chinese calligraphy, noting that “both embody emotion and meaning in an abstract form.” For Ho, abstract painting is a deeply intuitive and evolving practice. It serves as a way to explore vulnerability, identity, human connection, and inner stillness, while also processing subconscious thoughts and emotional experiences. Her work is both raw and refined; an ongoing search for resolution, understanding, and healing through visual language. Over the years of engaging in dialogue with viewers, Ho treats these conversations as an extension of her practice. As her body of work continues to grow, so does her understanding of its emotional depth and meaning. These ongoing interactions offer new insights and perspectives, further enriching her exploration of abstract expressionism as a language of emotional connection and personal transformation.
Anna Trautman
Anna Trautman is a San Francisco-based botanical artist and founder of Verdant Spaces whose living sculptures explore the quiet tension between form and impermanence. Working primarily with kokedama, she creates minimal compositions that emphasize the relationship between moss, plant, and vessel. Each work invites close observation as the plant adapts over time, shaped by both natural process and the artist’s hand. Her process is methodical and meditative, unfolding through the preparation of soil, roots and clay. The resulting work are living sculptures that continue to grow and transform, reflecting cycles of care, change and renewal. As each piece leaves the studio, its story continues with its new caretakers. Through ongoing care, the work becomes a shared expression of reciprocity, inviting a deeper awareness of impermanence, connection and the evolving relationship between people and the natural world.